Cathy Carter New Zealand Photographer and Multimedia Artist
  • Art Awards
    • Devonian Reefs, Molly Morpeth 3D Award, 2020
    • Parkins Prize 2019
    • Headon International Portrait Competition Finalist 2015, 2016, 2018
    • Walker and Hall Waiheke Art Awards Finalist 2016, 2017, 2018
  • News
  • Waimarama, Residency
    • Waimarama, Reflecting on Water, Motu-O-Kura, 2018
  • Series of Works
    • Wai Wai Wai 2019
    • Weird Fishes, 2018
    • Poolside, Immersion and Emergence Malolo , 2017
    • Poolside Immersion and Emergence 2017
    • Portals of Bare Attention 2016 / 2017
    • Seaside Series 2016
    • Between Worlds
    • Oceanids: Rising
    • Oceanids # 1, 2, 3, 4
    • Drifting #1, 2, 3
    • Immersive Emergence
    • We Float
    • Viridescent -becoming green
    • Waitemata, 'Obsidian Waters' ( A public project)
    • Ophelia # 1, 2
    • Imminence
    • Immersion and Emergence
    • Adrift
    • Subtle Space
    • Mist
    • Zone of Immanence
    • Fluid Fields
    • Convergence
    • Sea Lion Rotation (light projection of stills)
    • Arpeggio ( Light projection of stills)
    • Arpeggio
  • Photos of Exhibited Work
    • Wai Wai Wai exhibition Nkb Gallery
    • Weird Fishes, 2018 Allpress Studio
    • Photoforum Exhibition 2018
    • Waitemata, Auckland Art Gallery
    • Poolside Immersion and Emergence Arthaus Gallery2017
    • State of Play 2016
    • Oceanids , Paris Apartment.
    • Oceanids Rising 2016 Moaroom, Paris.
    • We Float 2014
    • Immersive Emergence 2013 (installation)
    • Imminence 2013
    • Zone Of Immanence 2012
    • Convergence 2012
    • Transitions 2012
    • Land vs Sea 2011 (Immersion and Emergence)
    • Mist 2010
    • Waterways 2012
    • Between Worlds
  • ABOUT
    • Curiculum Vitae (condensed)
    • Curiculum Vitae (expanded)
    • Profile
    • Contact: cathy.carter@xtra.co.nz
    • Press
    • Links



    • CATHY CARTER | We Float   08 July – 09 August, 2014  @  A N T OI N E TT E G OD K I N

      We Float is a photographic exhibition that explores the ambiguous potentiality that occurs within converging spaces, where surfaces blur and mingle. The work seeks to reframe these spaces through intimate and obscure perspectives, through scale, abstraction and colour, in order to restore mystery and a sensuousness of vision. These are images that operate as ‘unconscious places’ to reveal strangeness and beauty in anonymous landscapes, to draw out the sublime from the familiar, and to awaken interior worlds. These are immersive spaces in between dreams and reality, fantasy and actuality. Proximity and intimacy heighten detail, reflection and absorption of light, to reveal characteristics of elements.







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