CATHY CARTER
  • Home
  • Art Awards
    • Walker and Hall Waiheke Art Awards Finalist 2016, 2017, 2018
    • 18th Estuary and Ecology Art Awards 2ND PLACE 2024
    • National Contemporary Art Awards 2023 (Two time finalist))
    • Molly Morpeth Painting and Drawing Competition 2023
    • Wallace Art Awards 2020, 2019, 2018, 2017, 2016, 2014
    • Devonian Reefs, Molly Morpeth 3D Award, 2020
    • Parkins Prize 2019
    • Headon International Portrait Competition Finalist 2015, 2016, 2018
  • Series of Works
    • 2025 - 2026 >
      • Un Soffie de Tempo , A Breath of Time
    • 2023 - 2024 >
      • Fluid Alchemy 2024
      • Bodies of Water 2024 Feb
      • Liminal Blue 2024
      • We are Water 2023
    • 2021 - 2022 >
      • Goldilocks Zone 2022
      • Almost Paradise, 2021
    • 2018 - 2020 >
      • Wai Wai Wai 2019
      • Weird Fishes, 2018
      • Waimarama, Residency: Waimarama, Reflecting on Water, 2018
      • Waimarama, Reflecting on Water, Motu-O-Kura, 2018
    • 2016 - 2017 >
      • Poolside, Immersion and Emergence Malolo , 2017
      • Poolside Immersion and Emergence 2017
      • Portals of Bare Attention 2016 / 2017
      • Seaside Series 2016
    • 2015 & prior >
      • Between Worlds
      • Oceanids: Rising
      • Oceanids # 1, 2, 3, 4
      • Drifting #1, 2, 3
      • Immersive Emergence
      • We Float
      • Viridescent -becoming green
      • Waitemata, 'Obsidian Waters' ( A public project)
      • Ophelia # 1, 2
      • Imminence
      • Immersion and Emergence
      • Adrift
      • Subtle Space
      • Mist
      • Zone of Immanence
      • Fluid Fields
      • Convergence
      • Sea Lion Rotation (light projection of stills)
      • Arpeggio ( Light projection of stills)
      • Arpeggio
  • Exhibited Work
    • Wai Wai Wai exhibition Nkb Gallery
    • Weird Fishes, 2018 Allpress Studio
    • Photoforum Exhibition 2018
    • Waitemata, Auckland Art Gallery
    • Arthaus Gallery 2017 Auckland Festival of Photography 2017, Theme: Identity. 2017 'Open Waters', (curated by Cathy Carter)
    • State of Play 2016
    • Oceanids , Paris Apartment.
    • Oceanids Rising 2016 Moaroom, Paris.
    • We Float 2014
    • Immersive Emergence 2013 (installation)
    • Imminence 2013
    • Zone Of Immanence 2012
    • Convergence 2012
    • Transitions 2012
    • Land vs Sea 2011 (Immersion and Emergence)
    • Mist 2010
    • Waterways 2012
    • Between Worlds
  • ABOUT
    • Curiculum Vitae (condensed)
    • Curiculum Vitae (expanded)
    • Profile
    • Contact
    • Press
    • Links
    • News
'Ophelia'

This portrait 'Ophelia' is inspired by pre Raphaelite painter John Everett Millais’ famous depiction of the drowned Ophelia, Hamlet’s lover from Shakespeare’s tragedy. At the original painting’s debut at the Royal Academy in London in 1852, critics were dismayed. The Times declared that “there must be something strangely perverse in the imagination which sources Ophelia in a weedy ditch, and robs the drowning struggle of that love-lorn maiden of all pathos and beauty”. This version of Ophelia is of a contemporary young male, semi submerged in a setting as likely to have upset The Times – an alpine bog on Mt Ruapehu in the Tongariro World Heritage Park in the central North Island of Aotearoa / New Zealand. This bog was formed in land planed and hollowed out by glacier ice. This alpine wetland hosts alpine bog cushion (Donatia novae-zelandiae), containing rushes, liverworts, sedges, mosses (including peat-forming Sphagnum) and algae.
 Even though both images were created in winter. Millais’ model the 19 year old Elizabeth Siddell, posed for hrs in a tub that initially was warmed by oil lamps underneath it . However when these went out Elizabeth was left lying in freezing cold water resulting in a cold. Thanks to the immediacy of photography, 22 yr old Ziggy Lever only had to lie in the near freezing bog for a few minutes.
 In choosing to portray Ophelia as a male I am also referencing the theatrical convention of Shakespeare’s time, namely that he would have written the part of Ophelia to be played by a young man. But also this work seeks to highlight Aotearoa/ New Zealand's position, in the OECD, as having the second highest rate of youth suicide, and young Maori men continue to be disproportionately represented in these statistics[1]. Just as Ophelia’s death was shrouded in mystery, little is understood about why teenage boys and young men take their lives in such numbers, and very little effort has been made to understand this alarming trend. 

[1] http://www.theguardian.com/world/2015/oct/19/we-have-to-start-talking-about-it-new-zealand-suicide-rates-hit-record-high

 

Picture

Profile

Contact

  • Home
  • Art Awards
    • Walker and Hall Waiheke Art Awards Finalist 2016, 2017, 2018
    • 18th Estuary and Ecology Art Awards 2ND PLACE 2024
    • National Contemporary Art Awards 2023 (Two time finalist))
    • Molly Morpeth Painting and Drawing Competition 2023
    • Wallace Art Awards 2020, 2019, 2018, 2017, 2016, 2014
    • Devonian Reefs, Molly Morpeth 3D Award, 2020
    • Parkins Prize 2019
    • Headon International Portrait Competition Finalist 2015, 2016, 2018
  • Series of Works
    • 2025 - 2026 >
      • Un Soffie de Tempo , A Breath of Time
    • 2023 - 2024 >
      • Fluid Alchemy 2024
      • Bodies of Water 2024 Feb
      • Liminal Blue 2024
      • We are Water 2023
    • 2021 - 2022 >
      • Goldilocks Zone 2022
      • Almost Paradise, 2021
    • 2018 - 2020 >
      • Wai Wai Wai 2019
      • Weird Fishes, 2018
      • Waimarama, Residency: Waimarama, Reflecting on Water, 2018
      • Waimarama, Reflecting on Water, Motu-O-Kura, 2018
    • 2016 - 2017 >
      • Poolside, Immersion and Emergence Malolo , 2017
      • Poolside Immersion and Emergence 2017
      • Portals of Bare Attention 2016 / 2017
      • Seaside Series 2016
    • 2015 & prior >
      • Between Worlds
      • Oceanids: Rising
      • Oceanids # 1, 2, 3, 4
      • Drifting #1, 2, 3
      • Immersive Emergence
      • We Float
      • Viridescent -becoming green
      • Waitemata, 'Obsidian Waters' ( A public project)
      • Ophelia # 1, 2
      • Imminence
      • Immersion and Emergence
      • Adrift
      • Subtle Space
      • Mist
      • Zone of Immanence
      • Fluid Fields
      • Convergence
      • Sea Lion Rotation (light projection of stills)
      • Arpeggio ( Light projection of stills)
      • Arpeggio
  • Exhibited Work
    • Wai Wai Wai exhibition Nkb Gallery
    • Weird Fishes, 2018 Allpress Studio
    • Photoforum Exhibition 2018
    • Waitemata, Auckland Art Gallery
    • Arthaus Gallery 2017 Auckland Festival of Photography 2017, Theme: Identity. 2017 'Open Waters', (curated by Cathy Carter)
    • State of Play 2016
    • Oceanids , Paris Apartment.
    • Oceanids Rising 2016 Moaroom, Paris.
    • We Float 2014
    • Immersive Emergence 2013 (installation)
    • Imminence 2013
    • Zone Of Immanence 2012
    • Convergence 2012
    • Transitions 2012
    • Land vs Sea 2011 (Immersion and Emergence)
    • Mist 2010
    • Waterways 2012
    • Between Worlds
  • ABOUT
    • Curiculum Vitae (condensed)
    • Curiculum Vitae (expanded)
    • Profile
    • Contact
    • Press
    • Links
    • News